I love crime fiction—mysteries, thrillers, espionage, you name it, plots and puzzles that excite and confound and ultimately gratify. I also love the non-genre called literary fiction, sharply observed and beautifully written books that move me, and leave me with a slightly better understanding of humanity. And I think the sweetest spot of all is the intersection of the two, with sparkling prose, fully realized characters, and interesting settings combined with an insistent, credible plot that makes it a matter of urgency to turn the page, presenting the exquisite dilemma of wanting to race through the excitement but also the opposite urge to slow down and enjoy it all.
This bighearted, heartbreaking story about the abortion wars is also paradoxically one of the funniest books I’ve ever read; there’s a page in the middle that I’ll reread again and again whenever I need a smile. The plot revolves around Claudia, a longtime employee of a Boston clinic that’s besieged by protesters who threaten the sort of political violence that’s become all too commonplace in polarized America, creating an insistent drumbeat of menace. But Mercy Streetis not a polemic, and the antagonists are treated with deep empathy and humanity. Possibly my favorite novel of the past few years.
"Ms. Haigh is an expertly nuanced storyteller long overdue for major attention. Her work is gripping, real, and totally immersive, akin to that of writers as different as Richard Price, Richard Ford, and Richard Russo."-Janet Maslin, New York Times
The highly praised, "extraordinary" (New York Times Book Review) novel about the disparate lives that intersect at a women's clinic in Boston, by New York Times bestselling author Jennifer Haigh
For almost a decade, Claudia has counseled patients at Mercy Street, a clinic in the heart of the city. The work is consuming, the unending dramas of women in…
Richard Price’s propulsive plots revolve around crime, but the novels are always about something much bigger, andLush Life merges many of his favorite themes into one masterpiece: ambition and compromise, race and class, gentrification and crime, the push-and-pull of a city’s progressive leanings against reactionary forces for law and order and property values. Price’s city is constructed on a bedrock of conflict between those who’ve come to New York struggling to create art, those who were born here struggling to get by, and the cops struggling to hold the middle, in a spectacular kaleidoscope of a downtown scene at the turn of the millennium, of hipsters and gangsters, housing projects and trendy restaurants, all these subcultures clashing in one microcosm of urban life.
'So, what do you do?' Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter But now he's thirty-five years old and he's still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn't say tending bar. He was going places - until two street kids stepped up to him and Eric one night and pulled a gun. At least, that's Eric's…
This tense, gripping novel about the opioid crisis’s devastation of a family—of parents and children, siblings and cousins, and the extended family that’s a police force, all in Philadelphia—lays bare the intimate, heartbreaking costs of a mass epidemic. As has become abundantly clear in the past couple of years, we can all too easily become numb to massive numbers of sick and dead. It’s on the human scale of individuals, one person at a time who’s suffering and dying, that we can fully absorb the true costs of epidemics, whether of opioids or covid or whatever’s next. That’s what this book is really about.
NAMED A BEST BOOK OF THE YEAR BY NPR, PARADE, REAL SIMPLE, and BUZZFEED
AN INSTANT NEW YORK TIMES BESTSELLER
A GOOD MORNING AMERICA BOOK CLUB PICK
"[Moore’s] careful balance of the hard-bitten with the heartfelt is what elevates Long Bright River from entertaining page-turner to a book that makes you want to call someone you love.” – The New York Times Book Review
"This is police procedural and a thriller par excellence, one in which the city of Philadelphia itself is a character (think Boston and Mystic River). But it’s…
A rumor about teenage sexual assault has long-term repercussions on a handful of characters in this superb novel that toggles among different genres—thriller, mystery, women’s fiction, coming-of-age literary, even screenplays—with voices in first, second, and third person, a fascinating way of looking at a single event from every angle. The characters are astoundingly well-drawn, in particular the spot-on portraits of teenaged boys, which are a master class on how to write credible, realistic, and true characters that are well beyond the novelist’s own experience. Even the title itself is a clever subversion.
"Spellbinding." -Megan Abbott, The New York Times Book Review
Tracing the fifteen-year fallout of a toxic high school rumor, a riveting, astonishingly original debut novel about the power of stories-and who gets to tell them
2015. A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep."
1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high…
Is there any subject more complex, fraught, and important as race in America? And perhaps nothing is more challenging to write about, riskier, presenting nearly unlimited opportunities for disagreement, which seems to get more and more passionate, more and more polarized, every day. This remarkable novel by Steph Cha unflinchingly tackles the subject head-on in Los Angeles—the city of the Rodney King beating as background, and the city of today as foreground—through the lens of a multigenerational entanglement of a Korean American family with an African American one, defying the simplistic and reductionist tendencies of so much writing about race.
Two families. One desperate to remember, the other to forget.
Winner of the LA Times Book Prize, Best Mystery/Thriller Winner of the California Book Awards' Gold Medal for Fiction Shortlisted for the John Creasey (New Blood) Dagger Shortlisted for the Macavity Awards, Best Mystery Novel Shortlisted for the Anthony Awards, Best Novel Finalist for the NYPL Young Lions Fiction Award
'Masterful.' Ruth Ware
'A searing examination of racial and family politics that is also an immaculately constructed whodunit.' Daily Telegraph, Summer Reads
'Writing a page-turner about racial politics in the U.S. is a delicate enterprise fraught with pitfalls, but Cha…
Ariel Pryce wakes up in Lisbon alone. Her husband is gone—no warning, no note, not answering his phone. Something is wrong. She starts with hotel security, then the police, then the American embassy, at each confronting dubious men and questions she can’t fully answer: What exactly is John doing in Lisbon? Who would want to harm him? And why does Ariel know so little about her new—and much younger—husband? The clock is ticking. Ariel is increasingly frustrated and desperate, and the one person in the world who can help is the person she least wants to ask. According to Stephen King, “There’s no such thing as a book you can’t put down, but this one was close.”
To hide a corporation’s failure to properly service a space ship, Captain Jonas Stryker is prosecuted but saved from imprisonment by a dying man, who hires Stryker to collect asteroids for their mineral content. Stryker soon finds he must stop a shadowy corporate group called The Board, who employ space piracy, terrorism, and even weaponised asteroids to overthrow the Federation government.
Set in Lagrange points, space stations, the Moon and outback Australia, it is a fast-moving story with some speculative future technology. If you were interested in the NASA attempt to alter the orbit of the asteroid Dimorphos, you might…
When a trial to cover-up a corporate failure ends Captain Jonas Stryker's career, he wants revenge against The Board, a ruthless, shadowy organization with limitless funds that employs space piracy, terrorism, and even weaponised asteroids. Posing as a space miner, Stryker learns that The Board wants him killed, while a young female SCIB police agent wants retribution against him for having her career spoiled at his trial. As Stryker avoids attempts to kill him, he becomes the only chance to prevent The Board from overturning the Federation Government and imposing a Fascist-style rule. A story of greed, corruption and honour,…
